[過去ﾛｸﾞ]
夏の日の1993 [無断転載禁止]©2ch.net (218ﾚｽ)
夏の日の1993 [無断転載禁止]©2ch.net http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/
上
下
前
次
1-
新
通常表示
512ﾊﾞｲﾄ分割
ﾚｽ栞
このｽﾚｯﾄﾞは過去ﾛｸﾞ倉庫に格納されています｡
次ｽﾚ検索
歴削→次ｽﾚ
栞削→次ｽﾚ
過去ﾛｸﾞﾒﾆｭｰ
197: 7分74秒 [sage] 2018/07/08(日) 08:26:26.02 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/197
198: 7分74秒 [sage] 2018/07/08(日) 08:26:34.58 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/198
199: 7分74秒 [sage] 2018/07/08(日) 08:26:44.75 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/199
200: 7分74秒 [sage] 2018/07/08(日) 08:26:55.65 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/200
201: 7分74秒 [sage] 2018/07/08(日) 08:27:05.71 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/201
202: 7分74秒 [sage] 2018/07/08(日) 08:27:14.97 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/202
203: 7分74秒 [sage] 2018/07/08(日) 08:27:25.18 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/203
204: 7分74秒 [sage] 2018/07/08(日) 08:27:35.71 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/204
205: 7分74秒 [sage] 2018/07/08(日) 08:27:45.78 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/205
206: 7分74秒 [sage] 2018/07/08(日) 08:27:55.60 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/206
207: 7分74秒 [sage] 2018/07/08(日) 08:28:04.30 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/207
208: 7分74秒 [sage] 2018/07/08(日) 08:28:15.18 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/208
209: 7分74秒 [sage] 2018/07/08(日) 08:28:24.36 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/209
210: 7分74秒 [sage] 2018/07/08(日) 08:28:33.64 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/210
211: 7分74秒 [sage] 2018/07/08(日) 08:28:44.70 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/211
212: 7分74秒 [sage] 2018/07/08(日) 08:28:54.65 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/212
213: 7分74秒 [sage] 2018/07/08(日) 08:29:04.08 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/213
214: 7分74秒 [sage] 2018/07/08(日) 08:29:15.12 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/214
215: 7分74秒 [sage] 2018/07/08(日) 08:29:26.44 ID:yzdK9P8I Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。 A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。 私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。 しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。 たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。 レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、 ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。 http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/215
216: 7分74秒 [sage] 2018/07/08(日) 08:29:38.49 ID:bOEdeLul (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06, year. > M.F . Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion.. sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if it is possible to hold … ..no receipt.. M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the problem in the receipt and the interpretation model rather than Boulez. It especially points out concerning "Deliberate examination of the fact", and it has a pain in the ear truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel, too so why terrifically though is a painful topic putting only one in the ear. (The situation thinks that it doesn't change as long as this 'Uselessness' even is Revelapped to Celibidache and Arnoncul. ) … There is no objection at all if said, "Only it is a self-responsibility" of course. Of course, saying, "Do not become an answer" gets an important suggestion for modesty. Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation.. continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect.. generation..turn.It will be able to be understood that Penser la musique aujourd 'hui etc. are very limit selection = Tacra in the respect to some degree and descends. I was going to do sooner or later, and to receive the question "When does securable become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is appropriate or apart from) a character?" in the sentiment mixing as a very existing problem. Thank you. Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at least..in general..wide..circulate..one..for..a little..pedantically..level.. discussion..a lot..score..substantial..content..depress..one..hardly..provide.. thing..understand. Certainly, a theoretical description is hardly seen in Boulez's writing since a certain time. This is personally one of the big dissatisfaction though three works that use the live electronics cannot buy even the score. Peel..after this..say.. almost all..for instance..include. However, if the memory is correct (Though it is not because of looking at me and having heard it), Boulez thinks that it had gone occasionally in the lecture concerning making by oneself since the '70 age. When will obtaining time become unnecessary (Except whether to have a mind to do) though he makes it a character? On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold.. problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese.. reference..Boulez..writing..material..hit..thing..originate..think..writer.. responsibility..think. I feel either by finding an appropriate explanation for general even of the side that can talk when correlating with other arts about the music of the 20th century including Boulez or should talk the situation nowadays that should be supplemented for myself because it is rare (He is type that avoids an immediate reference, and because understanding is not easy alone though there is a Mr. word that Boulez dusts of course) is indescribably inconvenient. http://lavender.5ch.net/test/read.cgi/contemporary/1476800568/216
上
下
前
次
1-
新
書
関
写
板
覧
索
設
栞
歴
あと 2 ﾚｽあります
ｽﾚ情報
赤ﾚｽ抽出
画像ﾚｽ抽出
歴の未読ｽﾚ
AAｻﾑﾈｲﾙ
Google検索
Wikipedia
ぬこの手
ぬこTOP
0.124s*