【New Wave】ニューウェーブ Vol.8【Post-Punk】 [転載禁止]©2ch.net (579レス)
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547: 2023/11/16(木)16:12 ID:hr3wWbRs(1) AAS
0963名盤さん
2023/10/17(火) 11:23:56.44ID:iy8RICqf
>>961
プログレ自体知らないんだろな
サードイヤーバンドも知らなかったし
ニルバーナも知らない
21世紀とか有名なやつを知ったかぶり
初期サバスがヘビーメタルの元祖とかにわか丸出しだからな
0966名盤さん
2023/10/17(火) 11:29:32.93ID:RrnXW+Mr
省18
548: 2023/11/19(日)21:42 ID:OtqLTi0g(1) AAS
0354名盤さん
2023/11/16(木) 17:12:05.70ID:VpsA9fHp
>>345
バカメンはカートコバーン信者で間違いないよ
ピクシーズ崇拝、アルビニ崇拝、スワンズ崇拝、ブラッグサバス崇拝
っておいおいw完全にカートコバーンのコピーロボットじゃないかよw
0355名盤さん
2023/11/16(木) 17:12:58.12ID:VpsA9fHp
コバーンリスト馬鹿信者の典型っていうかw
コバーンそっくり丸コピー趣味みたいなw
省18
549: キチガイ包茎糞ブタ書院タヒね! 2023/11/24(金)15:54 ID:FR/iB5Ul(1) AAS
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
郡部くん&レコメンがんばれ〜( ^ω^)ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね!m6( ^ω^ )
550: 2023/11/30(木)15:21 ID:OY7D/aGv(1/3) AAS
0963名盤さん
2023/10/17(火) 11:23:56.44ID:iy8RICqf
>>961
プログレ自体知らないんだろな
サードイヤーバンドも知らなかったし
ニルバーナも知らない
21世紀とか有名なやつを知ったかぶり
初期サバスがヘビーメタルの元祖とかにわか丸出しだからな
0966名盤さん
2023/10/17(火) 11:29:32.93ID:RrnXW+Mr
省18
551: 2023/11/30(木)15:22 ID:OY7D/aGv(2/3) AAS
0354名盤さん
2023/11/16(木) 17:12:05.70ID:VpsA9fHp
>>345
バカメンはカートコバーン信者で間違いないよ
ピクシーズ崇拝、アルビニ崇拝、スワンズ崇拝、ブラッグサバス崇拝
っておいおいw完全にカートコバーンのコピーロボットじゃないかよw
0355名盤さん
2023/11/16(木) 17:12:58.12ID:VpsA9fHp
コバーンリスト馬鹿信者の典型っていうかw
コバーンそっくり丸コピー趣味みたいなw
省18
552: 2023/11/30(木)15:22 ID:OY7D/aGv(3/3) AAS
0517名盤さん
2023/11/29(水) 12:09:38.22ID:lmDN2Xf6
バカメンで糞ワロタのはコバーン信者ってだけじゃなくレッチリも好きなのなw
あんなのコバーン以上の超子供騙しバンドじゃんw
この辺のスミス、ラブレス、コバーン、レッチリ辺りのフェイバリット並び見ると
ロキノン臭がきつ過ぎて頭クラクラするw
0518名盤さん
2023/11/29(水) 12:11:37.33ID:lmDN2Xf6
ロキノンはいい加減に卒業してくださいねw
あなたはいつまでロキノンなんですか?
省17
553: 2023/12/09(土)04:13 ID:bX7fn+oL(1) AAS
0282名盤さん
2023/12/03(日) 20:26:16.89ID:6fSK7O2R
コニープランクと云えば Phew の 2nd
ドイツ絡みってホントにそれくらいしか好きになれんかった
あとはブリキの太鼓のサントラくらいか

0752名盤さん
2023/12/05(火) 18:14:33.70ID:y1Nkyo88
>>282
Phewは1stとOUR LIKENESSがコニープランクプロデュース
おまえが挙げてる2ndはコニープランク全く無関係w
省7
554: 2023/12/13(水)16:51 ID:AkZIzq0X(1/3) AAS
Modern Classic Recordings, an imprint of Light in the Attic Records, proudly announces
the deluxe vinyl reissues of Morphine's final two studio albums: _Like Swimming_ (1997) and _
The Night_ (2000), marking the very first availability of both titles on wax. Each album has been
lovingly remastered by Pete Weiss at Boston's Jade Cow Music, with lacquers cut by John Golden.
Both titles were pressed at Austin, TX's Gold Rush Vinyl and are each available in two colorways.
The 1xLP _Like Swimming_ (which features such favorites as "Early to Bed, " "French Fries with Pepper,
" and "Eleven O'Clock") can be found on opaque blue or translucent red wax, while the 2xLP,
45-RPM edition of _The Night_ (featuring "Rope on Fire, " "Top Floor, Bottom Buzzer, " and "The Night, ")
is available on orange translucent or purplish hue vinyl. Rounding out each package is a 20-page booklet,
featuring rare and never-before-seen images from the band's archives, including photos by Lana Z. Caplan
省27
555: 2023/12/13(水)16:51 ID:AkZIzq0X(2/3) AAS
At the same time, Morphine's music was gaining further exposure through synchs in major films, including
David O. Russel's feature debut, _Spanking the Monkey_ (1994), Beautiful Girls (1996), and the GRAMMY®-nominated
soundtrack for Get Shorty (1995). Amid the '90s signing boom, it was only inevitable that the major labels
would come calling. As the trio began work on their fourth studio album, they received an enticing offer
from the newly-founded Dreamworks Records. But signing with the LA-based label would be both a blessing
and a curse-particularly for Morphine's supremely independent frontman. In his liner notes for _Like Swimming_
, Ryan H. Walsh suggests that after years of uncertainties, the band's newfound sense of security carried over
into their songwriting. " _Like Swimming_ is an album about getting into the flow of things finally going
your way, about comfortably making use of your talents and doing it all with confidence, grace, and style,
" he writes. That air of lightness marked a stylistic departure for the trio and can be heard throughout
省19
556: 2023/12/13(水)16:52 ID:AkZIzq0X(3/3) AAS
'" Among the other songs on _The Night_ is the Boston-centric "Top Floor, Bottom Buzzer, " featuring an organ
cameo by Medeski (who also lends his talents to the menacing "I'm Yours, You're Mine"). In the upbeat, soulful
track, Sandman describes an evening out at a friend's house party. The enigmatic, Middle Eastern-inspired
"Rope on Fire, " meanwhile, features a striking performance on the oud by Brahim Fribgane and accompaniment
by cellist Jane Scarpantoni, violist Joseph Kessler, and double bassist Mike Rivard. Scarpantoni, who has
appeared on albums by Lou Reed, Beastie Boys, and R. E. M. , among many others, also joins the band on the
opening title track, which Walsh proclaims to be "among the very best, hauntingly beautiful songs the band
ever produced. " Strings also bolster the closing track, "Take Me with You, " a song that feels particularly
poignant, given that Sandman would be gone by the time that _The Night_ was released. "From start to finish,
this album would be Mark Sandman's full creative vision realized, " writes Walsh. Colley adds, "For the first
省1
557: 2023/12/15(金)14:39 ID:Dh3g+eI+(1/4) AAS
23 Skidoo are a British band playing a fusion of industrial, post-punk, alternative dance, rock, and world music. The group was named after an early 20th century American slang phrase that appeared in the work of Aleister Crowley, William S. Burroughs, Robert Anton Wilson and filmmaker Julian Biggs. Formed in 1979 by Fritz Catlin, Johnny Turnbull and Sam Mills, and later augmented by Alex Turnbull and Tom Heslop, 23 Skidoo had interests in martial arts, Burundi and Kodo drumming, Fela Kuti, The Last Poets, William S. Burroughs, as well as the emerging confluence of industrial, post-punk and funk, heard in artists such as A Certain Ratio, Throbbing Gristle, Cabaret Voltaire, The Pop Group and This Heat.

Their first 7", "Ethics" was released in 1980, followed by the "Last Words" 12", produced by Stephen Mallinder from Cabaret Voltaire. A Peel Session was recorded on September 16, 1981 that included other associates Richard Heslop and Tim Soar. Their debut album, Seven Songs, was released in 1982 and is said to evoke the claustrophobic humidity of an African forest. An experimental EP Tearing Up The Plans was produced without the Turnbull brothers, who were traveling in Indonesia. Guitarist Sam Mills and vocalist Tom Heslop left the band soon after, and with the arrival of slap-bassist Peter "Sketch" Martin following the break-up of Linx, the lineup remained the same until their disintegration in 2003.

With the Turnbull brothers back from Indonesia where they were exposed to Gamelan, the band recruited Aswad's horn section for the "Coup" 12", which featured samples from Francis Ford Coppola's Apocalypse Now. It has been alleged that The Chemical Brothers stole the bass line for their "Block Rockin' Beats" track. The Culling Is Coming (1983 - noted for featuring the band live at the first WOMAD Festival) and Urban Gamelan (1984) followed, criticized at the time for their shift towards more abstract sounds. After having been evicted from their rehearsal space at Genesis P-Orridge's 'Death Factory' the band shifted their focus towards hip hop and released a few singles and a compilation album Just Like Everybody in 1987.

In 1989 the Turnbull brothers formed the Ronin label, and released material by Deckwrecka, Roots Manuva, and Rodney P amongst others. They signed to Virgin Records in 1991 and were able to build a new studio with their advance. In 2000 they released a self-titled LP, which featured contributions from Pharoah Sanders and Roots Manuva. This was followed by a compilation of singles, The Gospel Comes To New Guinea in 2002, and for the first time on CD, reissues of Seven Songs and Urban Gamelan. In 2003 the Turnbull brothers liquidated the company. In 2008 LTM reissued the whole back catalog of 23 Skidoo.
558: 2023/12/15(金)14:50 ID:Dh3g+eI+(2/4) AAS
A Winter Ritual (side B of the original LP) was recorded at Dartington Music College 23 October 1982. A Summer Rite (side A of the original LP) was recorded live at the WOMAD Festival starting at 11.23am on 17 July 1982. David Tibet played Tibetan Trumpet on "Invocation" to "Stifling". Also appearing at the festival were Echo And The Bunnymen, Simple Minds, Peter Gabriel along with the Drummers Of Burundi and Musicians Of The Nile. An Autumn Journey was recorded live at Tielt, Belgium 08/10/82. The cover photo for the album was the first record sleeve by music photographer Andrew Catlin, who worked with 23 Skidoo over several years.

The album was originally released on Les Disques Du Crépuscule (Belgium), Base Records (Italy) and Operation Twilight (UK) in 1983. The original vinyl edition included a locked groove on side A between the songs "Stifling" and "Healing (For The Strong)" with "Command as f**k" inscribed in it (the phrase can be heard during the song "Flashing"). Etched in the run-out groove on side B were the words, "The eyes are not here." An inlay card was available with the original albums that contained the disclaimer "23 Skidoo will not be liable for any injury, loss or damage, direct or consequential, arising out of the use of, or inability to use this product."

The Culling Is Coming was later reissued on L.A.Y.L.A.H. Antirecords (1988) with the front cover artwork removed and the rear cover artwork on the front and Boutique Records (2003) with the original artwork restored and the sides switched (Winter coming before Summer) with an additional previously unreleased track added.
559: 2023/12/15(金)14:56 ID:Dh3g+eI+(3/4) AAS
ide A: "A Summer Rite" - recorded live at WOMAD 17.7.82. Has a lock groove between A4 and A5, with "Command as fuck" inscribed in it.
Side B: recorded at Dartington College of Music, 22/23.10.82, produced 2/3.11.82. Initial recordings by Street Level Recording Mobile. Etched in run-out groove: "The eyes are not here." Total time: 23:00.

From inlay: "23 Skidoo will not be liable for any injury, loss or damage, direct or consequential, arising out of the use of, or inability to use this product."
Many thanks Richard Heslop and Susan Sharrot

Also released in black and white artwork through Les Disques Du Crepuscule (TWI 123), later reissued on L.A.Y.L.A.H. Antirecords with different artwork.
560: 2023/12/15(金)15:04 ID:Dh3g+eI+(4/4) AAS
COMMAND AS FUCK
561: 2023/12/17(日)20:14 ID:UenX2YY2(1) AAS
Lee Underwood's life has revolved around reading and writing words, and playing and listening to music.
As a lead electric guitarist living in LA, he toured and recorded with singer and songwriter Tim Buckley
for seven years during the sixties and early seventies. As a solo acoustic guitarist, he recorded
California Sigh in 1988 and earned a living playing clubs, hotels, and concerts in Santa Fe for seven years.
In 2003 he published Blue Melody (Backbeat, San Francisco) his critically acclaimed book about the late,
great Tim Buckley, honored by Britain's Uncut music magazine as one of the ten best music books of the year.
He recorded his first solo piano CD, Phantom Light, in 2003. He completed his lengthy novel, Diamondfire:
The Journey, in 2005, and continues to write essays, poetry, and short stories while living with his wife
in a modern cabin in a mountain forest near Yosemite National Park, California. For nearly 20 years in LA,
Underwood wrote about music and musicians for Down Beat (West Coast Editor, 1975-1981), the LA Times, Rolling
省6
562: 2023/12/21(木)16:39 ID:cBAjoi6Y(1) AAS
"23 Skidoo were unique among the crowd of early 80s post-punk and industrial innovators. Unlike the cold, harsh music of their peers, the ever-fluctuating line-up remained just as confrontational but incorporated warmer elements of funk, world music and, later, hip-hop. Up-tempo dance numbers would share bed with eerie experimental sound collages, the band being influenced by everything from Gregorian chant to Jeet Kune Do martial arts. And then there's the trifling matter of a little something called Coup, which went on to inform the Chemical Brothers' smash Block Rockin' Beats. This reissue, together with Seven Songs and Urban Gamelan, collects the work of one of the most diverse and influential bands of the era" (Clash, 01/2009)

"The rhythm and sheer energy here have, if anything, intensified over the years" (Record Collector, 01/2009)

"JLE bundles together two earlier compilations in expanded form, and with some crucial additions, among them the superior dub mix of Last Words, and their last great piece, the slinky Ooze from 1986" (The Wire, 01/2009)

"This newest version of the band's original singles collection couples most of the tracks from the original vinyl issue, as well as the separate Just Like Everybody (Part Two) from the late 1990s to create a definitive anthology of material. Most will be happy with one superb disc and one adequate one compared to the mediocrity of many releases this day and age, and LTM once again have put together a package that celebrates the legacy of a band that has somewhat been forgotten in lieu of their contemporaries" (Brainwashed, 11/2008)

"Long overdue singles compilation. Part Two straddles 23 Skidoo's metamorphosis into UK HipHop curators Ronin. Once again, received wisdom about this music - that it is glossier, less extreme than their earlier work - is not entirely true. Meltdown, for instance, harbours far more bad omens than the justly revered Coup" (The Wire, 02/2003)
省1
563: 2023/12/22(金)05:30 ID:ZoCpkK4O(1) AAS
Even though I've been an admirer of the Turnbull brothers' work for years and have all their albums etc., I'd never heard of their father William Turnbull. Turns out he is a sculptor and painter of some renown. Its a fact, its real, and that's just the way it is. The DVD, which was directed by Alex Turnbull, is a retrospective of his father's work. Its the sort of thing you normally see on Sky or BBC arts programs. Its narrated by the actress and model impregnation machine that is Jude Law. There are lots of interviews with various weirdy-beardy luminaries from the modern arts establishment, who all have nice things to say about Mr Turnbull and his art. Then there are interviews with the man himself - he certainly led a very interesting life that's for sure. And there is lots of footage of various exhibitions/art works - its interesting if that sort of thing tickles your cul-de-sac.

From the separate perspective of a 23 Skidoo fan, the DVD also offers a fascinating insight into where their music came from. Their songs, particularly on their earlier industrial and gamelan albums, do have a sculptural quality to them. What is remarkable, and revealing, is just how well the soundtrack of their songs fits with the visuals of their father's work. The songs and the sculptures compliment each other perfectly. Their mother was a very talented artist too, possibly even better than their father. Who knows, maybe they'll do a DVD about her work too.

The CD is okay. Most of the songs are from their later, less innovative, less interesting 'funky' period. If you have all the previous albums then you'll have all the tracks already. That said, if you're a fan of 23 Skidoo then you will definitely want this in your collection, for the DVD alone.
564: 02/28(水)03:19 ID:ns0Gmfv3(1) AAS
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565: 03/20(水)04:19 ID:XiLcJEvC(1/4) AAS
CERTAIN RATIO

DO THE DU
566: 03/20(水)04:19 ID:XiLcJEvC(2/4) AAS
DURUTTI COLUMN

THE MISSING BOY
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