PART 15 ○◆衝撃！イエスタディはナポリ民謡だった◆○ [無断転載禁止]©2ch.net

[過去ﾛｸﾞ] PART 15 ○◆衝撃！イエスタディはナポリ民謡だった◆○ [無断転載禁止]©2ch.net (759ﾚｽ)
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141: ホワイトアルバムさん [] 2017/03/31(金) 08:59:12.57 ID:b6/Gf/uU0

iiiiiiiiiiiiiiiiiii彡≡≡≡≡|≡ミミヾ丶
　　　　iiiiiiiiiiiiiiiiiiii／￣￣￣￣￣￣＼ミiiiiiヽ
　　　iiiiiiiiiiiiiiiiii／ 　　　　　　　　　　　 ＼iiiiiiiゞ
　　　iiiiiiiiiiii／　　 　　　　　　　　　　　　 ＼iiヽ
　　iiiiiiiiiiiiiii《 　　　━━━'/　　ヽ━━━ ヽミヽ
　...iiiiiiiiii彡/ 　　 　　＿＿,.::　　::　＿＿　　ヽiiiii|
　..iiiiiiiiiiiii》|　　　　　　　　　　　　　:::　　　 　 |iiiii|
　iiiiiiiiiiiiiiii|,　 　　　　　　　　　　　　　　　 　 　|iii|
..iiiiiiiiiiiiiiiiii, 　　　　　　　 （　●　●　）　 　 　 .|iiii|
iiiiiiiiiiiiiiiiiiiiiii　　　　　　　》━━━━《 　 　 　 |iiiii|
iiiiiiiiiiiiiii《《《ヽ　　　　　》　／￣￣＼　《 　 　 |iiiiiiii|
iiiiiiiii《《《《《《《《　　　 《《　＼￣￣／　》》 　 |iiiiiiiiiii|
iiiiiiiiiiii《《《《《《《《《《《　》》　　￣￣　　《《　》》》》》iiiii|
iiiiiiiiii《《《《《《《《《《《《《《《《《《《《》》》》》》》》》》》》》》iii|
iiiiiiiiiiiiiii巛巛巛巛巛巛巛巛巛》》》》》》》》》》》》》》IIII
iiiiiiiiiiiiiiiiiiiiii巛巛巛巛巛巛巛巛》》》》》》》》》》》》iiiiiii
図星のとおり、
俺の自慰的なゲームだぜ。
今後もずっと小野洋子のkisss kisss、don’t 　wory kyokoの奇声聞きながら
マスこきながら貼り続けるからよ。
どうだお前ら本当は俺の事うらやましいだろ
ウシッシー 　ウシッシー　ウシッシー 　ウシッシー（フン（糞）笑）
ヒヒヒー　ヒヒヒー　ヒヒヒー　ヒヒヒー　ヒヒヒー（フン（糞）笑）
ウシッシー 　ウシッシー　ウシッシー 　ウシッシー（フン（糞）笑

http://rio2016.5ch.net/test/read.cgi/beatles/1454490349/141

144: ホワイトアルバムさん [] 2017/03/31(金) 20:59:57.91 ID:b6/Gf/uU0

iiiiiiiiiiiiiiiiiii彡≡≡≡≡|≡ミミヾ丶
　　　　iiiiiiiiiiiiiiiiiiii／￣￣￣￣￣￣＼ミiiiiiヽ
　　　iiiiiiiiiiiiiiiiii／ 　　　　　　　　　　　 ＼iiiiiiiゞ
　　　iiiiiiiiiiii／　　 　　　　　　　　　　　　 ＼iiヽ
　　iiiiiiiiiiiiiii《 　　　━━━'/　　ヽ━━━ ヽミヽ
　...iiiiiiiiii彡/ 　　 　　＿＿,.::　　::　＿＿　　ヽiiiii|
　..iiiiiiiiiiiii》|　　　　　　　　　　　　　:::　　　 　 |iiiii|
　iiiiiiiiiiiiiiii|,　 　　　　　　　　　　　　　　　 　 　|iii|
..iiiiiiiiiiiiiiiiii, 　　　　　　　 （　●　●　）　 　 　 .|iiii|
iiiiiiiiiiiiiiiiiiiiiii　　　　　　　》━━━━《 　 　 　 |iiiii|
iiiiiiiiiiiiiii《《《ヽ　　　　　》　／￣￣＼　《 　 　 |iiiiiiii|
iiiiiiiii《《《《《《《《　　　 《《　＼￣￣／　》》 　 |iiiiiiiiiii|
iiiiiiiiiiii《《《《《《《《《《《　》》　　￣￣　　《《　》》》》》iiiii|
iiiiiiiiii《《《《《《《《《《《《《《《《《《《《》》》》》》》》》》》》》》iii|
iiiiiiiiiiiiiii巛巛巛巛巛巛巛巛巛》》》》》》》》》》》》》》IIII
iiiiiiiiiiiiiiiiiiiiii巛巛巛巛巛巛巛巛》》》》》》》》》》》》iiiiiii
糞野郎
お前（>>142)フン（糞）飛ばされたいか
お前の言うとおり、脳細胞が枯渇するまでセンズリ掻き続けてるからよ
どうだお前本当は俺の事うらやましいだろ
俺のを都合の悪い質問に回答拒否しているとわめいているが
お前こそ俺の質問に回答拒否しないで正直に答えてみろ
ウシッシー 　ウシッシー　ウシッシー 　ウシッシー（フン（糞）笑）
ヒヒヒー　ヒヒヒー　ヒヒヒー　ヒヒヒー　ヒヒヒー（フン（糞）笑）
ウシッシー 　ウシッシー　ウシッシー 　ウシッシー（フン（糞）笑

http://rio2016.5ch.net/test/read.cgi/beatles/1454490349/144

152: ホワイトアルバムさん [] 2017/04/01(土) 11:36:28.33 ID:MDlQZwou0

↑
糞野郎
お前こそ日本語、英語まともに使えないだろ
もっと勉強しろよ
ちなみに以下の文章「イエスタデイはマーティン作」だとは
読み取れないだろ

[ The legendary producer wrote with McCartney. ]

Sir George Martin wants the credit notes changed on one of
the Beatles biggest hits - to reflect his contributions.
The producer and composer is unhappy that 41 years after
its release on the band's "Help!" album, his name is still not included -
even though he wrote all the string arrangements for the hit single.
"We didn't know what to do with it. It was such a soppy tune,
so I went away and wrote a score for a string quartet to go with it," he says.
"Two days later I was rehearsing it and Paul McCartney walked in.
He'd never seen a score before, and he said, 'It hasn't got my name on it.'
So I handed him a pencil and he signed it.
"He wrote John Lennon's name too - although he had nothing to do with it -
and added Esquire to mine."
According to biographers, the track - which sits in the Guinness Book Of Records
as the most covered song in history - came to McCartney in a dream one night.

http://www.soundgenerator.com/news/showarticle.cfm?articleid=7073&;CFID=8748153&CFTOKEN=30207216

http://rio2016.5ch.net/test/read.cgi/beatles/1454490349/152

153: ホワイトアルバムさん [] 2017/04/01(土) 13:49:52.74 ID:MDlQZwou0

▲衝撃！！　the long & winding road はスペクター作であった
Spector made various changes to the songs, but his most dramatic
embellishments occurred on 1 April 1970, the last ever Beatles
recording session, when he added orchestral overdubs to "The Long and
Winding Road", "Across the Universe" and "I Me Mine" at Abbey Road
Studios. The only member of the Beatles present was Starr, who played
drums with the session musicians to create Spector's characteristic
"Wall of Sound". Already known for his eccentric behaviour in the
studio, Spector was in a peculiar mood that day, as balance engineer
Peter Bown recalled: "He wanted tape echo on everything, he had to
take a different pill every half hour and had his bodyguard with him
constantly. He was on the point of throwing a wobbly, saying 'I want
to hear this, I want to hear that. I must have this, I must have that.'"
Bown and the orchestra eventually became so annoyed by Spector's behaviour
that the orchestra refused to play any further, and at one point, Bown left
for home, forcing Spector to telephone him and persuade him into coming back
after Starr had told Spector to calm down.]
Finally, Spector succeeded in overdubbing "The Long and Winding Road",
using 8 violins, four violas, four cellos, three trumpets, three trom
bones, two guitars, and a choir of 14 women.[14] The orchestra was
scored and conducted by Richard Hewson, who would later work with
McCartney on his album, Thrillington.[13] This lush orchestral
treatment was in direct contrast to the Beatles' stated intentions
for a "real" recording when they began work on Get Back

http://rio2016.5ch.net/test/read.cgi/beatles/1454490349/153

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